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Contents • • • • • • • Plot [ ] In the rural areas of Maharashtra lies a peaceful village called Mangrul. Keshya (Girish Kulkarni), a simple villager youth, who works for Bhau (Nana Patekar) as a Cow stockman and takes one of Bhau's cow named as 'KARDI', to one of the hills in the village where there is an Audomber tree present. KARDI scrach her head over this tree and by which Lord Dattatreya makes a present and show his Avtar to keshya. Keshya by expericing God's Avtar he makes a hue and cry in the village saying God Dattatreya made an appearance for him. Anna (Dillip Prabhavalkar), most respected figure of Mangrul, advises him against announcing such personal matter as it's a question of faith.

However, it is too late as a Journalist (kisho kadam) with the help of few other village youth who involved more into politics, sensationalizes the news about Lord Dattatrey making an appearance in Mangrul. There is now demand for a Dattatrey temple. Bhau doesn't approve it as he wants the funds to be used for better purposes, as Anna also has vision to build Hospital in the village. But since Bhau helpless looking at the village so demand, the temple is built.

And slowly the village becomes a holy place. Mangrul goes through a 360 degree change due to commercialization but nobody is complaining except Anna. Soon, blinded by the commercial progress, God is forgotten. Every village has a right to progress commercially but how ethical it is to use a temple and it's good to achieve it? Cast [ ] • as Bhau Galande • as Anna Kulkarni • as Vahini • as Keshya • as Kanta, Keshya's Mother • Jyoti Malshe as Pinky • as Sarpanch (Village head) • as Sarpanch's Mother in Law • as Mahasangram • as Appa Galande • as Tommya (Jambuwant Rao) • as Ninety • • Mayur Khandge as Yamdya • Suhas Shirsat as Poytya • Abhijit Khaire as Audience • as Poytya's Sister in Law • Bhakti Ratnaparakhi as Appa Galande's wife Guest Appearance • as Aamdar Saheb • as Dacoit Release [ ] Deool was scheduled to be released on 23 September 2011 but was later postponed to November. It was shown in, 's South Asian International Film Festival, the International Film Festival and MAMI in, and was released on 4 November 2011 nationwide. Music [ ] Music of Deool was composed by Mangesh Dhakade and lyrics were penned by, Sudhir Moghe.

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Track listing No. Title Singer(s) Length 1. 'Deva Tula Shodhu Kutha' (Bhajan) Shahir Devanand Mali 02:53 2. 'Welcome Ho Raya Welcome' Urmila Dhangar 04:32 3. 'Phoda Datta Naam Taho' Swanand Kirkire 05:19 4.

'Tu Jhop Tujha Datta Jaga Aahe' Swanand Kirkire 02:47 Awards and recognition [ ] Deool gathered positive reviews from critics on release. (DNA) gave the film a 4 star rating out of 5 saying, 'There’s too much going for Deool.

It is an Indian language film to be proud of. For God’s sake, don’t miss it.' The movie won maximum number of awards (3) at in 2011. • 2011: Citation: For its witty, satirical and penetrative account of the politics involved in the commercialization of religion in India. Through a wonderfully authentic depiction of village life, mentality and gesture, Deool has a social, religious and commercial sweep, even as it individualizes each of its characters and endows them with a language and space of their own.

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The film ironically shows the wholehearted acceptance of commodified and clamorous religiosity in a land plagued by all the serious problems the country faces today, and it does so with laughter that is only slightly tinged with cynicism. • 2011: - Citation: For his role as Kesha, the good hearted village simpleton, who inadvertently sets tumultuous events in motion, is circumspect and tenderhearted. Shorn of histrionics, his performance depends largely on his face and eyes to convey the multitudinous emotions in his mind which he cannot utter. He is controlled yet ingenuous, moving towards the beginnings of an understanding of the world around him, a move that transforms itself unselfconsciously into a spiritual quest. • 2011: - Citation: For its immensely varied and textured use of language that is both an authentic and an energetic reflection of the different sections of life shown in the film: the language of the village, of politicians, of the scholar and much else.